I had all my gear in my bedroom at my parents' house where I grew up. I had been demoing a bunch of stuff there and much of it wasn't fitting together so to speak. I don't know what I expected. I was trying to make this epic rock record with a bunch of cheap shitty gear and I wasn't getting the results I wanted. That's when I decided to start a new project, something small that I could package and pass out at shows and put my own name on. I had to start from scratch.
It was the summer of 2002 and I was listening to a lot of Weezer and The Frogs at the time. I really liked the simplicity of their albums; short alt-pop songs with a lot of distortion and catchy hooks. I wanted a project that could be simple like that, where the songs didn't really have to mean anything and they didn't have to be terribly technical. I had a lot of free time back then. I could have recorded a prog-metal record or maybe even a more serious rock effort. Instead I decided to start from scratch an make this little pop-punk EP.
Dwelling just got back from playing a festival out in Wisconsin somewhere. It was a disaster. The headliners were Bongzilla and Tub Ring which were entertaining, but there were a lot of butt-metal bands there too. It was hot and muggy, and because it rained the day before it turned into a big sloppy mud pit. I remember it taking hours to get our van out the next day. There was this band there though that was handing out their demo on these little 80mm mini CD's. I thought that was really cool and different. I wanted to put out a demo that was tiny like that.
When I got back, I started with a few simple riffs and a notebook. I scribbled down a few rough lyrics that went with my riffs and then I worked on the structure. Intro,Verse, Chorus, Verse, Chorus, Bridge, Chorus, End, etc. Once I got the song structures down I was ready to start tracking. I spent maybe an afternoon or two tracking everything. The recording process was rather crude. I had a single Sure BG 1.1 microphone on a boom over the drums and a ddrum redshot trigger on the bass drum connected to an old Roland Octapad and Alesis SR-16 to handle the kick drum trigger. All of this went through a 6 channel Crate solid state PA head into the line-in connection on the back of my parent's HP pavilion desktop (with a Pentium 3) computer. Fancy huh? Guitar, bass, and keyboard went direct into the Crate head; I used a Boss DS-1 distortion pedal on the guitar. The DAW I used was a demo copy of Magix Music Studio that I got at the local Best Buy for $10. It was a 4-track program; I was able to bounce the tracks down to free up more tracks if I needed them. For mastering I used an old copy of Sound Forge, I can't remember what version but it was still developed by Sonic Foundry at that point.
I didn't scrutinize about every detail like I had before in the past, and it showed. Much of the vocals are quiet or even pitchy, some timing issues were present, and the gain on the kick trigger was way too high on the opening track "I Hate People." I loved it though, because it was the first combined set of songs I completely made myself. In total, what I had ended up with was about seven finished songs and three or so unfinished songs. The three unfinished songs eventually were scrapped altogether for various reasons; too long, too sloppy, and one simply sounded over-produced. They just didn't fit the little punk demo thing I was going for. For the initial release I cut the track list down even one more for a total of six songs. The seventh and last song I finished called "Nineteen" was about being nineteen (which is how old I was at the time) and feeling tired with the music scene, but not being able to do much about it because I was broke and needed a job. The remaining six songs were unique in their own way. "I Hate People" was a goofy upbeat song about how I disliked most people and thought as a society, we give them too much credit and control. "Sin", "Cheat", and "Heaven" were my protest songs to failed relationships. "Mr. Creepy" in a song about how people are so willing to take advantage of one another, and "Beer Bitch" is about rednecks bringing cases of cheap beer to the beach and watching hockey on TV. Overall the song topics were rather silly and different from other music I had written in the past. Maybe that's why I related to them so well.
I gave the project the name "Ebeneezer" since I didn't want to use my own name at the time. I called the demo/ep/record "Debut". I figured "Debut" was a good name since I intended to make a lot more recordings like this in the future, and this was just the first.
The artwork was simple and fun. I wanted to convey the same careless freedom of expression with the cover art that was present in the recording. I first created a "mini-cover" for each song that somewhat represented what the song was about. These were used for the individual tracks that I uploaded to Mp3.com. The front cover was simple a star with the "band" name and the title "Debut". I later used a picture of myself and cloned it in with the crappy photo software that came with my parent's computer. Inside the booklet was an illustration of eyes and the "Ebeneezer" moniker in a pixelated font. I had also personally signed each Mini-CD copy with a little note. The one copy I have says "I Love You - James Monte". Going back to the eyes; I never fully decided what the intended meaning of the eyes were. Looking back now I feel like it signified the hypnosis of past relationships. Women always seem to get me to do things or agree to things I normally wouldn't do.
|The cover from the first 80mm demo.|
|Open case from the 80mm demo.|
|80mm demo inner booklet.|
The First Release:
The first release of the recording I duplicated and printed myself with the 80mm discs. I released it at a show I put together at Round About Records in Duluth, MN on August 30th, 2002. The show consisted of The Spoogees, Dwelling (my then other band), Number One Common, Farewell Tour and myself playing as Ebeneezer. For the show I used a Sony Discman and a CD of 3 songs with only the drum and bass tracks. The songs I played were "I Hate People", "Sin" and "Cheat". I played the CD and the guitar direct through the PA system. The Discman made a loud and hilarious "beep" when I hit play or switched tracks. I hummed, or sang the accompanying guitar pars rather that having them over dubbed on the recording. It was fun and I got an okay response, but overall I think it would've been better with a live band. That was the first and last time I've performed the songs live to this point. I would like to someday play them live again, maybe with a band. That night I sold out or gave away all my existing copies of the 80mm discs except for the 1 or 2 I still have in my personal collection.
|Flyer for the first show and release.|
Later in 03 or 04 a couple of the songs were featured on a "My Own Volition" sampler disc with other Duluth acts that was put out by my other band at the time, Flat Earth. I forget which songs though.
Standard sized CD release:
Around 2003 or so I re-released the CD in a standard size jewel case on Mp3.com. Everything was the same except for the back tray, inner tray art and the inside of the booklet.
On the inner booklet the small mini-covers accompanied a large picture of the Duluth Areal Lift Bridge. A symbol of where I grew up and where I was living at the time. At the center of the bridge were the ominous eyes.
The back cover was a picture of me holding my best friend's B.C. Rich Warlock from a promo we did with our old band (Zephaniah) in our home town of Esko. Both versions I released on my own "Jimmy James Records" label that was nothing more than a name at that point. I used Jimmy James for the label because it was a nickname the guys in The Spoogees, a local alt/punk band would often call me. I liked it, so it stuck.
|Cover from the later released standard CD.|
|Back of the MP3.com Standard jewel case.|
|Inside with the standard CD.|
|Tray art on the standard jewel case.|
|Inner booklet art for the standard jewel case. Note: the 6 mini-covers on the bottom left.|
2013 Re-Release: exit Ebeneezer, enter my own.
Fast forward 10 more years. I've been married for 9 of them and have a 4 year old now. I've been playing music all this time, but only drums in a bunch of different bands. Nothing really stuck and I started getting anxious about making my own music again. I have some other material I want to put out, but before that I figured "Debut" needed to be re-released again.
I started recording a follow up to "Debut" in the early summer of 2003 which I have worked on periodically for the last 10 years. The bulk of the recording was done in 2003 - 2005 but there's still a little that needs to be done once I have the guts to revisit that seemingly ancient work. Finishing that project is next on my agenda, but before I could tackle that I had to re-release "Debut" one more time and give it a proper home with my own moniker.
This time around I included the song "Nineteen" which was omitted from the first two releases, otherwise everything else is the same. I feel the song really fit this EP and is a good closer. Why I left it out in the first place is beyond me, I guess I just didn't like it much at the time. I recall planning another release in 04, 05 or something that included the track, but that never really came to fruition. With this release I also tweaked the artwork to include my name instead of the old "Ebeneezer" moniker, as well as a few different things. All in all I tried to keep it true to the original layout with it being very simplistic nature.
|2013 inside cover|
I look at this little EP as my jumping off point. The start of something new, even though it's already almost 11 years old. So today on April 9th, 2013, exactly 10 years, 7 months, and 10 days later; I'm happy to say that "Debut" is once again available, this time as a digital copy through Google Play. You can find the download link for the album below as well as a link to download the updated artwork. It's a little rough around the edges, but I hope you enjoy listening to it as much as I did making it.